Traditionally, print journalism was thought to be "the first draft of history". But some of the traditional functions of a daily newspaper have now been usurped by television and the Internet. Do you think then that the role of newspapers is going to change gradually, and that we will turn to them less for the what than for the why?
I would like to think so, because explaining our complex world, rather than merely following television and the web in reporting it, really is the only way forward for newspapers. Books too are filling this important niche—explaining our complex world in a way that deepens readers’ understanding. The Indian media market is showing a dynamism that is very encouraging. When I first came to India there was a single broadcaster—Doordarshan—and the I&B minister was able to influence what news went to air. Here too, the '90s changed everything...Many of your descriptions of locale and landscape in Inhaling the Mahatma are so rich and beautiful they seem almost out of a novelist's cupboard. Does the nonfiction writer have anything to learn from the reading of fiction?I started my writing career in short stories, which won prizes, and that encouraged me to keep writing. But I couldn’t make a living from short stories, so I turned to journalism, not just to survive, but to gain the sorts of life experiences that I felt would help me mature and have something interesting to say. Whether we write fiction or non-fiction, we’re all writers with stories to tell, and we can learn from each other. Non-fiction writers are definitely leading the way at the moment, but the novel is not dead. I hope not anyway, because I would certainly like to write one. The Books Interview: Christopher Kremmer Chandrahas, 7:40 PM
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