, 
, 
At the end of the 19th century, Christian theologian Ernst Troeltsch
proclaimed that the sun was setting on Christianity, and poet Matthew Arnold
declared that in the future poetry would replace religion. As Wilson (The Vicar of Sorrows
) points out in this splendid book, the 19th century provided the context not only for theories of God's demise but also for the numerous challenges that political thinkers, scientists and artists posed to Christian belief. Yet, as he notes, while the battles between faith and doubt were raging, church attendance did not decline but remained constant. The famous debates between Thomas Huxley
, Darwin's "bulldog," and Bishop Wilberforce
contributed to an atmosphere of optimism about the perfectibility of humankind and the world. Wilson traces the development of this rise of unbelief from the 18th century to the early 20th century. He contends that Edward Gibbon's The History of the Decline and Fall of the Roman Empire
, with its contempt of Christianity's "highest ideals," and David Hume
's skeptical Dialogues Concerning National Religion, which challenges the very possibility of the existence of the supernatural, provide the groundwork for the demise of belief in the 19th century. Wilson explores some of the most explicit instances of the century's intellectual challenges to faith: George Eliot's translations of Feuerbach's The Essence of Christianity
and David Friedrich Strauss's The Life of Jesus, Critically Examined
; Darwin's evolutionary formulations calling into question the idea of a special creation; Marx and Engels's charge that bourgeois institutions used religion to enslave people and make them weak; William James's reading of various religious states in The Varieties of Religious Experience
as psychological states of mind. Eliot's translations alone introduced into England both Strauss's contentions that the life of Jesus was clothed in myth pictures like the Virgin Birth and the Resurrection and Feuerbach's claim that God was nothing more than a projection of humanity's wishes. Wilson examines also how the Catholic Church responded to the Modernist thought of Alfred Loisy
, who imported much of the skepticism of the 19th century into his religious writings and challenged conventional Catholic teachings on the Church and the Bible. With passionate prose and a lively style, Wilson narrates a first-rate intellectual and religious history.
proclaimed that the sun was setting on Christianity, and poet Matthew Arnold declared that in the future poetry would replace religion. As Wilson (The Vicar of Sorrows) points out in this splendid book, the 19th century provided the context not only for theories of God's demise but also for the numerous challenges that political thinkers, scientists and artists posed to Christian belief. Yet, as he notes, while the battles between faith and doubt were raging, church attendance did not decline but remained constant. The famous debates between Thomas Huxley, Darwin's "bulldog," and Bishop Wilberforce contributed to an atmosphere of optimism about the perfectibility of humankind and the world. Wilson traces the development of this rise of unbelief from the 18th century to the early 20th century. He contends that Edward Gibbon's The History of the Decline and Fall of the Roman Empire, with its contempt of Christianity's "highest ideals," and David Hume's skeptical Dialogues Concerning National Religion, which challenges the very possibility of the existence of the supernatural, provide the groundwork for the demise of belief in the 19th century. Wilson explores some of the most explicit instances of the century's intellectual challenges to faith: George Eliot's translations of Feuerbach's The Essence of Christianity and David Friedrich Strauss's The Life of Jesus, Critically Examined; Darwin's evolutionary formulations calling into question the idea of a special creation; Marx and Engels's charge that bourgeois institutions used religion to enslave people and make them weak; William James's reading of various religious states in The Varieties of Religious Experience as psychological states of mind. Eliot's translations alone introduced into England both Strauss's contentions that the life of Jesus was clothed in myth pictures like the Virgin Birth and the Resurrection and Feuerbach's claim that God was nothing more than a projection of humanity's wishes. Wilson examines also how the Catholic Church responded to the Modernist thought of Alfred Loisy, who imported much of the skepticism of the 19th century into his religious writings and challenged conventional Catholic teachings on the Church and the Bible. With passionate prose and a lively style, Wilson narrates a first-rate intellectual and religious history.| Publisher's Note | |
A.N. Wilson presents a magisterial, colorful narrative that illuminates the central tragedy of the 19th century--the death of God (or man's faith in Him). | |
| Industry reviews | |
"Religion for him is not only a subject for intellectual speculation (most recently in books about Paul and Jesus) but also, obviously, for painful self-examination. Like the figures in this book, he appears to be God-tormented." New York Times - Gertrude Himmelfarb (06/15/1999) "This is a formidable and important book, which should, all being well, be read in a hundred years' time. The death of God is an event with which we all live and about which millions of words have been written. But, as far as I know, only A. N. Wilson has looked closely at the scene of His demise--inside the tortured imaginations of the largely nineteenth-century clerics, poets, artists and philosophers whose anguish so accurately prefigures, indeed pre-empts, our own." Appleyard "...[A]n enjoyable book of first-class intellectual gossip." Rowe "GOD'S FUNERAL  is a very rich and fascinating intellectual history, and A.N. Wilson has, once again, done a first-rate, bang-up job. it is a most commendable book, well worth your time."Catalano |
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